What a natural-sounding pun. Sorry for the lack of updates over the past week. I’m sitting on pure posts but what with one thing and another I ain’t had time to put into words the genius thoughts in my head.
Thought for the day number one: are those ashtrays the most tacky things ever made? Thought for the day two: are MCs of Jamaican heritage automatically awesome rappers? The case for:
Chubb Rock. Born in Kingston, one of my favourite ever rappers. Sometimes drops into a little ragga flow like on this freestyle verse on the last ever Yo! MTV Raps. In at 2:52.
You may have noticed KRS-One on that clip as well if you rewind a tad. He’s well known for dropping bits of patois into his raps. Let’s pick one at random, errr…GO!
Another one is Heavy D who tells us that he was “born in Jamaica, Mt. Vernon I grew”
Busta Rhymes has two Jamaican parents and rips it up in a pretty unique way
That video used to get heavy rotation on MTV Base back in the day.
Finally, perhaps only a Jamaican MC such as the master Douglas E. Frehsington could come up with lyrics like this. Yeah it’s a duet piece, wannafightaboudit?
Woman: ‘scuse me Doug E. Fresh some one to see you named Bob
Woman: Yes, Bob.
Doug: Who drives that old white Saab? Tell him to wait I’m eating lunch I’m having corn on the cob.
[sarcastic trumpet riff]
Yesterday I was bored so I equipped myself with £20 and went on a trawl of my local charity shops from Balham right up to Clapham North.
Pickings were slim. Apart from a good amount of spoken word/comedy/novelty in one shop which would have been perfect for my next Bleepmix, it was the same old same old of 80s pop, crap 90s dance and classical boxset after classical boxset. I think half of any charity shop’s stock is 90s dance and classical. The classical comes in when old people die. The house from when middle aged people clear out their loft and chuck out the 10 dance 12″s they had, their Kam decks and their popped inflatable chair.
There was also a bizarre amount of Shakespeare’s Sister knocking about.
Anyway, I did pick up one curio: Doug E. Fresh’s The Show b/w Ladi Dadi. This seminal rap double-A-sider was one of my first favourite records but I’ve only ever had it on 7″ so I parted with TWO WHOLE POUNDS for it. In a charity shop. I know right!
Listen to the tunes now:
Look how young Slick Rick (reppin’ Wimbledon) is!!
Discogs tells me there were two runs of the record I got (COOLX 116).
There are two pressings of this release with the same sleeve and label. The only way to tell them apart is to examine the run-out groove.
The first run has a printed (stamped) catalogue number followed by a slash then 1 420 (a-side) or 2 420 (b-side). The second run has a hand-written COOLX-116-A or B catalogue number and no other numbers are shown.
It is important to differentiate these pressings as the second run features an edited version of “La Di Da Di” which, for licensing reasons, lacks the interpolation of A Taste of Honey’s “Sukiyaki” (“It’s all because of you, I’m feeling sad and blue…”). It has also a radio-edited version of “La Di Da Di” in place of the instrumental of “The Show”.
But get this! My version is labelled as having Ladi Dadi and then an instrumental of The Show on the B-side. However, it just has the same version of Ladi Dadi twice! ZOMG!
I’m probably sitting on a super rare mispressing here. I shall alert Record Collector first thing tomorrow. For the time being this blog post shall serve as proof that the record exists so if the house is broken into tonight and they find my mutilated body slumped over my crates in the morning, you’ll know what they were after!